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Why does Renaissance music sound different? Polyphony, modality, and musical thinking explained.

18:27 |

1,000 Years of Music History | How Classical Music Broke Every Rule

15:28 |

Jerusalem by Palestrina for Trombones

0:58 |

Palestrina Motet for Trombones

1:57 |

Giovanni Pierluigi da Palestrina / Leopold Godowsky - Adoramus te, Christe

1:46 |

Palestrina, G. P. da_Ricercari sopra li Tuoni [8ft Recorder Quartet]

15:00 |

Cantabile's Brian Stone tells us more about our upcoming concert "Something Known and Something New"

2:40 |

Giovanni da Palestrina | Musical Moments with Philip Brunelle

10:27 |

G. P. Da Palestrina - Pars Mea

0:58 |

[Version 1.0] Giovanni Pierluigi da Palestrina: Missa Papae Marcelli Credo (c.1562)

8:11 |

G. P. da Palestrina - Tua Jesu Dilectio

0:36 |

Laetatus sum

4:08 |

Magnificat Tone 1 (Palestrina, 1591), for 3/4 mandolins instrumental

4:52 |

Requiem-Introduction, Latin pronunciation guide for choirs

21:33 |

Palestrina: Motette mit Binnenkanon

1:02:29 |

Josquin: Domine ne in furore - Weser-Renaissance

8:08 |

Charles-Valentin Alkan: Deuxième verset du 41e Psaume (1855)

4:35 |

Marianna Martines – Come le limpide onde (Psalm 42) [ENGRAVED]

28:20 |

Monteverdi - Ond'ei di morte (Rimanti in pace) 'Sheet Music Video"

4:09 |

Bach - Cantata BWV 191, "Gloria in excelsis Deo" w/ score

14:32 |