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Why does Renaissance music sound different? Polyphony, modality, and musical thinking explained.

18:27 |

1,000 Years of Music History | How Classical Music Broke Every Rule

15:28 |

Cantabile's Brian Stone tells us more about our upcoming concert "Something Known and Something New"

2:40 |

Palestrina Motet for Trombones

1:57 |

Laetatus sum

4:08 |

G. P. Da Palestrina - Pars Mea

0:58 |

Giovanni Pierluigi da Palestrina / Leopold Godowsky - Adoramus te, Christe

1:46 |

Charles-Valentin Alkan: Deuxième verset du 41e Psaume (1855)

4:35 |

Monteverdi - Ond'ei di morte (Rimanti in pace) 'Sheet Music Video"

4:09 |

Requiem-Introduction, Latin pronunciation guide for choirs

21:33 |

G. P. Da Palestrina - Jesu, Rex Admirabilis

1:20 |

G. P. da Palestrina - Tua Jesu Dilectio

0:36 |

Palestrina: Motette mit Binnenkanon

1:02:29 |

Dieterich Buxtehude: Laudate pueri Dominum (c.1670) with Synthesizer V 2.0

5:37 |

Marianna Martines – Come le limpide onde (Psalm 42) [ENGRAVED]

28:20 |

Lorenzo Perosi - O sacrum convivium

2:00 |

Escolania de Montserrat : G. P. Palestrina - Jesu Rex Admirabilis

2:03 |

Magnificat Tone 1 (Palestrina, 1591), for 3/4 mandolins instrumental

4:52 |

[Version 1.0] Giovanni Pierluigi da Palestrina: Missa Papae Marcelli Credo (c.1562)

8:11 |

Meditation: Centring Prayer - Psalm 139

7:31 |